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<div style="margin:0in;margin-bottom:.0001pt"><a href="https://www.facebook.com/old.no.5/?fref=photo"><span style="font-size:
10.0pt;">The Old No. 5s’</span></a><span style="font-size:
10.0pt;"> second album, <i>Steam</i>, is first and foremost a blues record. But it shouldn't be pigeonholed. A self-proclaimed rock/roots trio, members Brock Alexander (guitar/lead vocals), Derek Tucker (bass/vocals), and Aaron Thomas (percussion/vocals) prove they can play the blues with the best of them, but also have the chops to bust out some serious soul, bring the funk, or simply construct a nice power pop song.</span></div>
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<div style="margin:0in;margin-bottom:.0001pt"><span style="font-size:10.0pt;">The majority of the 11 tracks are fairly straightforward blues rockers, beginning with the album's first song, “Going Nowhere.” A perfect appetizer, it gives listeners a taste of what can be heard throughout the album: solid vocals, nimble guitar, and one of the best rhythm sections you'll find on a local or national release this year. There is an undeniable Stevie Ray Vaughan influence on this and several of the other true blues tunes, including “Starting to Show,” “Easy,” and the harder rocking “Hill Country.” While few guitarists can match his licks, Alexander certainly dials in Vaughan's tone, and has plenty of salty riffs himself.</span></div>
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<div style="margin:0in;margin-bottom:.0001pt"><span style="font-size:10.0pt;">Alexander's vocal style varies. On “Easy” he is confident and powerful, channeling a cocky Jimi Hendrix. He shows off a deep soul sound during “Keep Lovin' Me Baby.” On “Little Man,” a jazzier number, he is a bit more transparent and vulnerable, much like a young John Mayer. While he is very capable at each, I couldn't help wondering which one is Alexander’s real voice. </span></div>
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<div style="margin:0in;margin-bottom:.0001pt"><span style="font-size:10.0pt;">The standout track on <i>Steam</i> has to be “Barn Party.” A tightly wound ball of energy, it combines ferocious slide guitar (sounding very similar in this case to a pedal steel), brilliant bass, and a shuffling beat to create foot-stomping fun. Reminiscent of Robert Randolph and the Family Band, it starts uptempo and only gets faster, ending at a blistering pace. Be sure to have your air instruments handy for this one. </span></div>
<div style="margin:0in;margin-bottom:.0001pt"><span style="font-size:10.0pt;">The Old No. 5s display a more unique style on the album's final track, “Just the Way I Am.” While remaining true to the band's bluesy vibe, the song has a catchy pop sensibility—with an impressive jam in the middle—and should appeal to a wide audience. The trio seems to find their own identity here, something I hope to hear more of on future recordings. </span></div>
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<div style="margin:0in;margin-bottom:.0001pt"><i><span style="font-size:10.0pt;">Steam</span></i><span style="font-size:10.0pt;"> is filled with truly fantastic music that taps into several genres. The songwriting and execution is top-notch. The expertise and use of each instrument, tempo changes, and drawn-out solos make it one of the most enjoyable local albums I've heard in some time. As the band continues to mature and distinguish itself, The Old No. 5s should become a force to be reckoned with—both locally and beyond.</span></div>
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<p><b style="font-size: 10pt;">--Brad Scott</b> </p>