Can music based on vintage tastes and ideals create something new? According to Victor & Penny, something as simple as a hook, a dress, or the right recording engineer creates a viable chance. When they planned to bring a specific genre of music into the Kansas City mainstream, they made sure it was based in craft, personality, and style. Against all odds it works and chances are, you'll love it.

 

You have most likely seen or heard their brand of ragtime jazz around town at several venues as diverse as recordBar, Hotel Phillips, Kauffman Center, and The Green Lady Lounge. Sometimes they play as a duo, sometimes they incorporate a full outfit known as The Loose Change Orchestra with trombone, upright bass, and clarinet.

 

In a word, they are “unique.” They create songs out of a time that harbors authentic musicianship and charm, yet the act telegraphs progressive idealism through virtuosity, fashion and playfulness. They find a joyous sound out of some of the darkest musical standards of the classic jazz age, as if blowing soap bubbles through a flophouse opium pipe. But it's not all fun and games. The duo creates music based in an era of serious songwriting skills. Watching them create tunes on stage prompts you to applaud time and time again before the song comes to a close because it's something made with love, humor, and blood.

 

“The way we present ourselves is vital to the way the audience perceives us,” says singer and ukulele player Penny (known locally as Erin McGrane). “We want to show respect for our audience by looking sharp. That also helps to set the stage and mood for our show.”

 

Victor (known around Kansas City as Jeff Freling) continues the thought. “The music and the presentation go hand-in-hand. As we continue to refine and expand our stage presence, we present a more sophisticated show.”

 

Sophisticated is a good description for this musical favorite about town. When you walk into a Victor & Penny showcase, the duo ushers you through classic jazz standards with the energy and vigor of a revival-era tent pastor, as they are unabashed converts to the art form. It's based in an honest love for the intricacies of the style.

 

“We offer the audience more than just a concert,” McGrane says. “We offer stories and a chance to get to know us as people, which is another way to connect to the audience and enrich the experience.“

 

Which is true: they're 100-percent show business, but their connection is real and based in the classic ideals of traveling theater. They parry corny jokes, natural chemistry, and undeniable musicianship out of quick scenarios in clubs, media appearances, and even impromptu videos in their car. Their semi-formal attire contrasts with the easygoing attitude on stage as they sway and jump between old standards and new treasures.

 

So it begs the question; in a town so focused on indie rock and stylized blues, how would they make an impact by focusing on early jazz standards? It's all about the lure of the common experience. McGrane says, ”In college, I got into 1930s vocal music from groups like the Boswell Sisters and the Mills Brothers. Jeff was listening to a lot of early guitarists like Django Reinhardt and Charlie Christian when we reconnected, and we found a common pool of tunes that we loved.”

 

 

Victor & Penny recorded a new album titled Electricity in August of 2015 and the finished product will soon be available here. They made the journey to Nashville's Sputnik Sound to create it with producer Mitch Dane, who made his cake working up alt-country gold with acts as varied as Woody Pines and Jack White. Even though the producer's tastes were outside Victor & Penny's specific genre, the moment they met with Mitch, they knew it was a special match due to his musical taste for the eclectic side of early Americana and his impressive collection of classic recording gear in his inspiring studio.

 

Did the experience live up to expectations? According to Freling, yes. After speaking with Dane, they immediately hit it off and the day-to-day labors allowed the trio to create something truly special.

 

“Working in Nashville was a great experience and we had the opportunity to partner with a producer to help us rearrange some older tunes and bring a fresh perspective to our music,” Freling says.

 

According to them, it all came together in Chicago.

 

“Jeff and I met during college years when our rock bands played together in the local KC scene,” says McGrane.

 

Freling adds, “We reconnected in Chicago a few years ago. Erin was working up there as a commercial actress and I had been playing strings on stage with Blue Man Group for many years. We hadn’t seen each other in almost 15 years.”

 

 

This kind of authentic atmosphere means the world to this turn-of-the-century jazz duo because they rely on a certain balance of classic and contemporary to create their singular stage presence. They work hard to create a personable and accessible feel that draws both new and schooled fans of jazz history into their realm.

 

“The tunes that we’re drawn to are endlessly fun to sing and to improvise over musically,” says McGrane. “For example, the melody on ‘Lazy River’ by Hoagy Carmichael is instantly recognizable and much trickier to sing and play than it sounds. It’s just beautiful. ”

 

Freling finishes the thought. “We love to do what we call sonic archaeology and dig for lesser-known songs from the early part of the last century. Our original material combines all of our personal influences to create a modern sound with a vintage vibe.”

 

So yes, it's true. A partnership born from a shared love of musical history proves something new can come from it all. The unique voice Victor & Penny creates gives music lovers in Kansas City an opportunity to participate in a true love of the artform. Experience their brand of musical joy at the Folk Alliance International Conference from Wednesday through Sunday. Check out their schedule here.

 

 

 

 

 

Andrew Schiller has been playing music and writing features for a couple of decades. To earn gear and beer money, sometimes he wakes up and travels to an office of some sort inhabited by your garden-variety marketing types.

 

 

 

 

 

The Deli: You just released your album, The Freedom of Expression, last February. What can we expect from it? Are you recording again anytime soon?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Deli: You just released your third studio album, We Live Among the Lines. What can we expect from it?