pedaljets
Spotlight: Ryan Beye Foundation's C4 Fest - Tonight!
If you want to support a great cause that’s also fun, check out the first annual C4 Fest from the Ryan Beye Foundation in the Crossroads Arts District for tonight’s First Friday. The foundation was formed for Ryan Beye after he passed away in late 2012. Beye founded Bandwagon Merchandise, was a musician, and believed strongly in a sense of community. C4 stands for Communicate, Collaborate, Commemorate, Celebrate for the Kansas City Community.
The block party will run at Locust St from 18th to 19th St and 19th Street from Oak to Locust. It will feature several artists, musicians, charities, and local businesses.
Here’s a schedule of events:
6:00 p.m: Four murals will be unveiled on the corner of 19th and Locust: Eeks Art, Deuce Sharbonda, David Gant, and muralist Alexander Austin.
Grants to supported charities will be made promptly at CrossroadsKC.
5:00–11:00 p.m: Artists, nonprofits, organizations, and businesses that support the local community will have booths throughout Locust Street between 18th and 19th St.
5:00–11:00 p.m: Artists, nonprofits, organizations, and businesses that support the local community will have booths throughout Locust Street between 18th and 19th St.
A commemoration wall for all to write/draw tributes to loved ones that have passed away.
5:15–12:15 a.m: Bands playing at CrossroadsKC behind Grinder’s: St. Andrews Pipe and Drums, Ruddy Swain, La Guerre, The Pedaljets, The Calamity Cubes!, AY-MusiK.
5:15–12:15 a.m: Bands playing at CrossroadsKC behind Grinder’s: St. Andrews Pipe and Drums, Ruddy Swain, La Guerre, The Pedaljets, The Calamity Cubes!, AY-MusiK.
Poets/writers from Kansas City Voices/Whispering Prairie Press reading between set changes: Jason Preu, Timothy Christopher Ryan Volpert, Melissa Sewell, & Amy Kierzek Ash.
All day: Free Wi-Fi provided by Connecting for Good and Bandwagon Merchandise.
The Filling Station and Soho Bakery will be selling coffee and treats. Boulevard Brewing Company will provide Zon, Pale Ale, and Unfiltered Wheat at CrossroadsKC.
Check out the Facebook event page for more information.
All day: Free Wi-Fi provided by Connecting for Good and Bandwagon Merchandise.
The Filling Station and Soho Bakery will be selling coffee and treats. Boulevard Brewing Company will provide Zon, Pale Ale, and Unfiltered Wheat at CrossroadsKC.
Check out the Facebook event page for more information.
--Michelle Bacon
Album review: The Pedaljets - What's In Between
(Photo by Todd Zimmer)
The name of this album is What’s In Between. Kind of weird, considering this is The Pedaljets’ third official full-length release and it’s taken them a couple of decades to get to this point. If this is just the median, then we can expect two more sometime in the next 20 years or so.
Thankfully all that time away hasn’t slowed them down. What’s In Between blasts off heads from the first track. When you hear them call out, “I’m gonna punch that fucker right between his eyes,” you know you’re in for a dirty, good time.
In a lot of ways, this might be their finest collection of songs. From the aggression of opener “Terra Nova,” to the beach romp “Riverview,” to the psychedelic/Beatles-esque “Some Kind of One,” Pedaljets seem to just be ON IT. A couple of tracks do falter when they occasionally get mired in that dark poets’ corner and push into anti-melodic wandering mode. It’s the same feel that made their self-titled LP (Pedaljets, 2008, Oxblood Records) such a heavy listen.
The Pedaljets have always played a special brand of Midwestern punk rock similar to The Replacements and Soul Asylum. It rocks, it’s tuneful, it’s upbeat, but it doesn’t have to match the cadence of a galloping horse to get its point across. What’s In Between has a lot of those elements. Mostly melodic, very rocking, and with that touch of heartland that can’t be extracted if you’re being true to your roots.
Final thought: great mix, vocals sometimes so powerful they distort in a really cool way, tons of low end (always a good thing), but if we’re being honest, the guitars could be louder.
Afterthought: OK, stay with me here…
“I love my Vaaaaaaaalerie!”
I came away from the new Pedaljets album singing The Monkees’ pop classic “Valerie.” Crazy, huh? Track eight: “Nothing Boy.” A heavy, dark rocker with a driving beat and shredded vocals. But tacked on the end is the unmistakable refrain from “Valerie” and it gets jammed in your head. Tons of other songs on What’s In Between do that too, but you get the feeling this earworm was designed to infect the listener with permanent oh-man-that-is-too-cool disorder. I mean, if you’re a Monkees fan too.
The Pedaljets are:
Mike Allmayer – guitar, vox
Matt Kesler – bass, vox, organ
Rob Morrow – drums, percussion, vox
Paul Malinowski – guitar, vox
What’s In Between was released today on Electric Moth Records. It’s available in vinyl and CD formats at The Pedaljets' website, locally at Vinyl Renaissance, Zebedee’s, Mills Record Company, and Midwestern Musical Co, and for digital download on iTunes and Amazon,. The album was produced and recorded by The Pedaljets and Paul Malinowski at Massive Sound Studio, Westend Recording, and Midwestern Musical Co. It was mixed by John Agnello (Dinosaur Jr., Andrew W.K., Sonic Youth) at Headgear Recording Studio in Brooklyn, and mastered by Mike Nolte at Eureka Mastering.
--Steven M. Garcia
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Steven is guitarist and lead vocalist for Deco Auto, and also makes a deliciously angry salsa. |