the project h

A sampling of some of KC's 2014 emerging artists

Here are some blurbs we wrote in 2014 on ten of our favorite emerging KC artists of the year:
Madisen Ward & the Mama Bear
Madisen Ward can write tunes that sound more seasoned than someone of his age should be able to do. Along with it, his vocal styling demands attention, ranging from serenely soulful to ardent and impassioned. Ruth Ward plays guitar effortlessly, as though it’s an extension of herself, and sings each note from deep within. The connection they share—both musically and as mother and son—comes through with the genuine delivery of each song.
Special congrats to them for their appearance this evening on The Late Show with David Letterman!

The duo was signed to Glassnote Records in 2014, and just released its newest single “Silent Movies.” It is now available on iTunes.

The Project H
Most people know that Kansas City is steeped in a rich jazz heritage that continues to this day. One of the groups that has helped carry on the city’s vibrant jazz scene is The Project H, who has taken the music’s tradition to a modern level. Though still tasteful to listeners of jazz standards, the band incorporates a range of influences and abilities, creating music that is relevant and colorful.
The Project H released its third studio album We Live Among the Lines in September 2014. It is available on Bandcamp.
Katy Guillen & the Girls
Katy Guillen & the Girls' style is rooted in the blues but draws heavily from rock, flamenco, and jazz elements, performed by three musicians at the top of their craft. The group—led by Guillen's masterfully intricate guitar work and earnest songwriting—is propelled by the rhythm section of Claire Adams and Stephanie Williams, who adds crucial melodic accents to its signature style.
Katy and the Girls advanced to the finals of the International Blues Challenge in early 2014, and released its debut self-titled LP in September 2014. It is available on Bandcamp.
Jorge Arana Trio
There’s something both soothing and jarring when you hear Jorge Arana, Jason Nash, and Josh Enyart share a stage together. They conjure up these wickedly rich, complicated rhythms and melodies that almost make you uneasy. It’s like when you snuck out of your parents’ house as a teenager to smoke cigarettes with your friends or make out with your crush—an innocent enough gesture, coupled with the exhilarating rush of rebellion and intensity. And every time the trio takes the stage, it seems like the perfect setting, be it in a dingy basement or a big venue.
The trio released its EP Oso on Haymaker Records in July 2014. It is available on Bandcamp.

The Blackbird Revue
The Blackbird Revue is a collaboration of Danielle Prestidge’s upbeat pop influences with husband Jacob Prestidge’s sincere folk approach, resulting in compositions that are simultaneously sweeping, delicate, and intriguing. The duo’s latest offerings have incorporated a multi-instrument approach, adding a momentous layer to its already purposeful music.

Danielle and Jacob released the music video for their latest single “Blueprints” in late 2014, and are currently working on a studio album.
Your Friend
(Photo by Lindsey Kennedy)
Taryn Miller’s project Your Friend was signed to Domino Records earlier this year. Her intelligent songwriting and entrancing music is making its way around, and for good reason. With her debut album Jekyll/Hyde, Miller constructs a simultaneously comforting and haunting atmosphere, fashioned around somber but colorful vocals.
Miller was signed to Domino Records in early 2014 and released the Jekyll/Hyde EP in February. It is available through Domino Records.
Miry Wild
(Photo by Zach Bauman)
Only a month after forming its full lineup, Miry Wild recorded its debut self-titled EP, a concise spiritual sojourn dotted with enchanting instrumentation and alluring vocal harmonies. The band’s natural chemistry and charm is apparent even from a cursory listen to the album. With this fairly new lineup and only a handful of shows under its belt, Miry Wild is finding its identity as a collective. Fortunately for the rest of us, they’re finding it through cohesive, tasteful songwriting.
Miry Wild released its debut self-titled EP in March 2014. It is available on Bandcamp.
The Thunderclaps
Though the two have been making music for a number of years, Bryce Jones and Colin Blunt formed The Thunderclaps just at the beginning of 2014. A grimy garage rock guitar/drums duo influenced by the surf leanings of The Gories and the psychedelic offerings of Thee Oh Sees, the band delivers an undeniable lo-fi rock ‘n roll edge.
The duo released a self-titled EP in August 2014. It is available on Bandcamp.
Admiral of the Red
In its short time together, Admiral of the Red has quickly evolved from a blues-based garage rock duo into a fully realized, dynamic rock band. The raw roots rock approach of guitarist Matt Hurst and drummer Tom Hudson, coupled with MB Hurst’s visceral vocals and a low-end punch from bassist Meredith McGrade creates the band’s primal, driving sound, reminiscent of The Dead Weather and Queens of the Stone Age.
Admiral recently released its single “Footbeats.” It is available on Bandcamp.
Hembree is picking up where Quiet Corral left off, but with a renewed vigor and sensibility. The group—who makes up five of the six members of now-defunct Quiet Corral—retains much of its former identity of compelling, captivating Americana, but with a pop appeal.
Hembree released its debut EP New Oasis last month. It is available on Bandcamp.
--Michelle Bacon

Michelle is editor of The Deli KC and plays in bands.  

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Spotlight on Plaza Art Fair artist: The Project H

(Photo by Aaron Linscheid)
This week, we’ll be highlighting some of the artists playing INK’s stage at the Plaza Art Fair this weekend, September 19-21.
Most people know that Kansas City is steeped in a rich jazz heritage that continues to this day. One of the groups that has helped carry on the city’s vibrant jazz scene is The Project H, who has taken the music’s tradition to a modern level. Though still tasteful to listeners of jazz standards, the band incorporates a range of influences and abilities, creating music that is relevant and colorful. Ryan Heinlein, the band’s trombonist and songwriter, answers a few questions for us about the group.
The Deli: Down and dirty: one sentence to describe your music.
Heinlein: Doesn’t matter if you want to dance to it or analyze it, you’re going to be singing it for a while after you hear it.
The Deli: Give me some background info on The Project H. How long have you been together? How did it all come to be?
Heinlein: The band started in 2007 when I lived in Wichita. It took a year or so to get the band up and running when I moved to KC in 2008. The lineup is: drums, bass, keys, guitar, trombone, trumpet, and tenor sax, but we have a lot of people sit in. Everyone in the band freelances and makes most of their money playing other gigs so I use a lot of subs. That’s the thing about the KC jazz scene though, the talent pool is deep enough that I can call quite a few people on any instrument before there is a drop off in musicianship.
The Deli: What have been your greatest accomplishments as a band?
Heinlein: I think there’s something to be said for releasing three independent records with a band like this. Getting freelance musicians to commit their time and creative energy to a project like this is definitely an accomplishment, and the fact they still wanted to do another one was a win for me! Gig wise, we covered Beck’s “Song Reader” in its entirety (20 songs) last year with our friends Mark Lowrey, Shay Estes, and Jeff Harshbarger. Selling out the recordBar is always fun.
The Deli: The band has done educational clinics for schools in the area. What benefits have you seen it have on students, and also for yourselves as musicians?
Heinlein: Yes, we usually book them in bunches once or twice a year. I think it’s safe to say that we wouldn’t be the musicians we are today if it weren’t for music education. The day-to-day activities of being in a high school band or being a music major in college tend to run together but, for me at least, the lasting memories were the clinics that were provided as well as the performance opportunities. So I guess it’s just a “pay it forward”-type situation. The students get to see a group of younger guys making a living doing by being creative and doing what they love. And for us, it’s an easy way to let younger audiences hear us. We feel that we have an opportunity to attract people to more straight-ahead jazz if they hear our not-so-straight-ahead jazz. Basically we function as a gateway drug for jazz!
The Deli: You just released your third studio album, We Live Among the Lines. What can we expect from it?
Heinlein: A lot of layers and textures. The rock influence really sticks out to me on this record, probably because we added guitar to the group about a year and a half ago. I think there’s a commonality among the songs but at the same time, every song can stand on its own. I honestly think there’s something for everyone on this record.
The Deli: What does supporting local music mean to you?
Heinlein: I don’t get out as much as I wish I could with family and working on a doctoral degree but just getting out and seeing as many shows as I can. I don’t worry about genres, I like a lot of music and it’s pretty easy to find a good concert to go see when I do get out.
The Deli: Who are your favorite local musicians right now?
Heinlein: This answer would be different for every member of the group so I’ll just give you mine. In no particular order: The Grisly Hand, David Hasselhoff on Acid, Peter Schlamb, and Katy Guillen & The Girls… there’s seriously a lot of really good music in this town!
The Deli: Who are your favorite non-local musicians right now?
Heinlein: Becca Stevens, Jose James, Tigran Hamasyan, Jaga Jazzist, and I have always had a soft spot for Dillinger Escape Plan.
The Deli: Who are you most looking forward to seeing at Plaza Art Fair?
Heinlein: Aside from a couple groups I mentioned earlier, The Phantastics and My Brothers & Sisters on Friday, Eddie Moore & the Outer Circle and Diverse on Saturday.
The Deli: What is your ultimate fantasy concert bill to play on?
Heinlein: Oh man, something really diverse. I wish Mr. Bungle were still around. Maybe have a classic jazz group like the Jazz Messengers or Weather Report. P-Funk would be awesome too!
The Deli: A music-themed Mount Rushmore. What four faces are you putting up there and why?
Heinlein: This question is pretty much impossible so I’ll give you one based on my musical influences.
Mike Patton: His ability to explore and push the boundaries of music, no matter what genre he is doing.
James Brown: C’mon! He’s the Godfather of Soul! The pocket in his bands…
Bobby Watson: He’s pretty much responsible for igniting this jazz renaissance in KC. His playing and writing is the perfect combination of technique and soul. I owe him so much… Everyone in the band does too.
JJ Johnson: My influence, as far as trombone players are concerned, changes a lot. Right now I’m on a JJ kick. He’s just so soulful when he plays.
The Deli: What other goals does The Project H have for 2014, and beyond?
Heinlein: We are starting a collaborative series starting next month at the Westport Coffee House Theater where we act as a backing band for different KC musicians. October will be with Kelley Gant, December will be Emcee Reach and next February will be Lauren Krum. We are also talking with Julia Haile and Jorge Arana for later in 2015. I’d like to play some festivals outside KC, continue to support this record, and just expand our audience. I’d also like to do a Project H big band show…I have a lot of writing to do I suppose!
The Deli: Where can we find you on the web?
The Deli: Always go out on a high note. Any last words of wisdom for the Deli audience?
Heinlein: Get out and listen to a group you may not normally follow, or go to a club that you’ve never been to. Don’t be afraid to step out of your comfort zone. There are great things happening in our city, let’s celebrate it!
The Project H is:
Clint Ashlock: trumpet
Ryan Heinlein: trombone
Brett Jackson: tenor saxophone
Matt Leifer: drums
Andrew Ouellette: keys
Dominique Sanders: bass
Jeff Stocks: guitar
The Project H will be playing on INK’s stage at Plaza Art Fair on Sunday, September 21 at 2:00 p.m. The stage is located at Ward Parkway and Pennsylvania Avenue, next to Gram & Dun and Plaza III. Facebook event page.
--Michelle Bacon
Michelle Bacon is editor of The Deli KC and plays in bands.

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