Avant

Niveles and The Spiral Electric Open for The Orange Revival at the Elbo Room - 11/24

The San Francisco based post rock duo, Niveles which features Andrew O'Neil, bassist of Mondo Drag on guitar will be performing at the Elbo Room in San Francisco on Tuesday, November 24th. The San Francisco based neo psych shoegaze band, The Spiral Electric will also be sharing the bill as both local bands will be opening for the the very special international guest performers from Sweden, The Orange Revival.

You´re in for a great show. If you are a neo psych music fan, do your best to make it out to see The Orange Revival. They are a great ensemble and a part of the international music collective that brings shoegaze and psych bands together from across the world. Don´t miss this show!

   

Free Download: Friends of Tricycle Records Compilation

It is finally here! Tricycle Records has released the 5th installment of their local music compilation entitled, Friends of Tricycle Records 5! We really like how TR extended their submission invitation to local artists who are not on their official roster, featuring great artists like Lemme Adams, Brasil, The New Up and Analog Dream.

Enjoy this free compilation. It is a celebration of local music and such a great contribution during a time where record labels are all about profit.

Track Listing

The Union Trade, In The Empire of Giants
NRVS LVRS, City Lights
n. Lannon, Another Love
Bobbi Rohs, That’s Bae
Halou, Lean Into The Gravity
The New Up, Future Is Now
Rich Girls, Total Control (Motels cover)
Lemme Adams, Hella
Everyone Is Dirty, Out Of The Blue (Roxy Music cover)
Kitten Grenade, Eighteen
El Terrible, We Know Your Name
Annie Girl and The Flight, Swans
Unconditional Arms, Fever Basin
Analog Dream, Lion’s Share
Garlands, Hallucination Healer
Brasil, Molly
Jordannah Elizabeth, A Prayer for Black America

Compiled by Julie Schuchard
Compilation Mastered by Christopher Reese Daddio at Donut Time Audio
Artwork by Adrian Landon Brooks
See more at: http://www.tricyclerecords.com/friends5/

   

I'm Here for the BOOs: Nashville's Halloween Playlist

Get tipsy off pumpkin beer? Check.
Watch Hocus Pocus and re-realize how awesome it is? Check.
Stress over the whole couples-costume thing? Check.
 

Create a totally badass Halloween playlist featuring some of my favorite local bands? CHECK.


Get in the spirit and give it a listen! -Caroline Bowman

 

   

Emily Neveu Supports Emily Wells at The Chapel - 10/21

The San Francisco based sensuous and broody singer songwriter, Emily Neveu will be performing tomorrow night at The Chapel in support of the popular multi instrumentalist, Emily Wells. This is a great pairing for an evening of penetrating avant folk music. We highly recommend you head out to this show and get a full dose of two highly talented artists!

   

Album review: Bloodbirds - MMXIII

(Photo by Todd Zimmer)
 
Twenty-year veterans of the LFK/KC underground music scene, Mike and Brooke Tuley have played with a number of bands familiar to local rock audiences. Best known for their time with Ad Astra Per Aspera, they established Bloodbirds in 2011 with the intent of cutting loose and shaking things up.
 
And they have. Dense, dark—equal parts Fun House (Stooges), Spacemen 3 and Black Angels—Bloodbirds’ newest release MMXIII may also be their swan song, given the departure of bassist Anna St. Louis for Chicago. In some ways, it is St. Louis whose playing defines the band. Forward in the mix, and by no means shy, St. Louis plays with punchy authority, reminding of some of the other great “lead” bass players like Jon Entwistle and Peter Hook. Brooke Tuley is a powerful drummer; her parts are simple, but dead-on. She locks perfectly with St. Louis.  Mike Tuley plays on top of their aggressive foundation, a canvas for his arsenal of shimmering hammer-ons (“Modern Sympathy”), punishing riffs (“Did You Say”), and sometime dulcet tones (the comparatively clean Blue Mask jangle of “Convalesce”). Depending on the song, his sound can be metal harrowing or as ropey, surf-psychedelic as the theme from Repo Man.
 
About those songs: they’re functional, gripping, emotional soundscapes, not necessarily bound by pop hook conventions. They hit you with the shape-shift intensity of vintage heavy rock like Blue Cheer or modern darkness merchants like Black Rebel Motorcycle Club. Which is to say the focus here is not necessarily on hum-ability. Even allowing for that, it would be nice if the vocals had a dash less delay density and a bit more clarity in the mix. Lyrics and vocals on MMXIII are more about mood than meaning (or mood as meaning), stray lyrics emerging from the driving murk to arrest your conscious mind here and again.
 
The tough thump of “No Trains Coming Through” totally belies the song’s title. With Roky’s manic intensity, the song “Did You Say” features the ominous, repeated line “Did you say you want the end to come right now?” And the music echoes the sentiment. “Round Moon’s” cascade of guitar features some of Tuley’s most expressive fretwork, summoning up the incantations of bands like the Icarus Line and the guitar howl of the Stooges’ Ron Asheton. For an album that emphasizes a certain heavy-osity, MMXIII manages to shift mood and tone effectively.
 
Brothers and sisters, the Bloodbirds can make a show-stopping addition to anybody’s Psych Fest. Live shows may be few and far between, given the departure of St. Louis, but they have reunited in support of MMXIII occasionally and the members remain close friends and open to the odd gig. Go catch them if you have the chance.
 
—Steve Wilson