Silverware releases video for “Finish Line”

San Francisco-based Silverware is led by Ainsley Wagoner, a native Kentuckian whose roots infiltrate her songs. Her sound is inspired by Appalachian sparseness and is layered with electric guitars, synths, and ethereal vocals. Her new video for “Finish Line” came out last month and we’re glad to share the dancing joy. -Lucille Faulkner

Silverware - Finish Line | Music Video from Ainsley Wagoner on Vimeo.


The Keener Family

The Keener Family released their debut album, Tender Beast, back in December. This is the Psych Country sound of Christopher Keener along with an array of friends including Aubrey Ann Howard, Taylor Bacon, Robbie Hamilton, Robby Haynes, and more.

The album’s lead single is called “Raised on The Roar” and is accompanied by the mousetrap video below.



Field Guides’ new LP hazily recollects, plays Mercury Lounge 2.9

The various moving parts that come together on This Is Just A Place, the latest offering by Brooklyn collective Field Guides, create a verdant mix of folk and dream-pop, creating music that feels both grounded and distant. Single “Guessing at Animals” provides a wide open space for bandleader Benedict Kupstas to experiment, his narrative baritone centerstage, waxing nostalgically, buttressed by layers of interweaving, echoing guitars and the occasional sax line. It is this very synthesis of hazy instrumental backgrounds and Kupstas’ prescient songwriting that provides Field Guides with its greatest strengths, a release that’s drawn from human experience but presented as if viewed by some omniscient narrator, looking down from space — softly recollective tunes for recounting the past through rose-colored glasses. Listen to it below, and catch Field Guides on February 9th at the Mercury Lounge with Onlyness and Rose Blanshei. —Connor Beckett McInerney


From the Submissions: The Paris Buns' " Charm (Metromania I)"

It’s impossible to ignore the influence John Darnielle has on songwriter (and erstwhile Deli NYC contributor) Will Sisskind. Similar vocal cadences aside, his music under the Paris Buns moniker charts its own course on Charm (Metromania I), the first in a year-long series of emotively-inspired EPs. Backed by barebones electric drums and minimalistic synth contributions, Sisskind sings about the role charm itself plays in disparate social settings, whetherits inconsequential flirtatious banter (“Sphallolia”) or the inclination to smile in social settings (“The Eccedentestiast”). Verbose, prose-filled odes paired with driving acoustic guitar make for a unique effort that showcases the Paris Buns as a daredevil songwriting act that’s perfect for fans of the Mountain Goats or AJJ — give it a listen below.


Listen to Talulah Paisley's somber ballad "Call," plays Mercury 2.10

There’s no rest for antifolk folk hero Talulah Paisley, who over the last three months has made a consistent habit of releasing engaging-yet-muted singles on Bandcamp, manifesting a mood board of introverted, off-the-cuff observations that showcase her prowess as an insightful songwriter. “Call” is the latest entry to this sonic scrapbook, a soft slow jam marked by a careening vocal performance against a steady acoustic accompaniment. Present are the somber similes we’ve come to expect from Paisely’s uniquely folksy craft (“squish me like your third grade putty”) amongst impressionistic observations of heartbreak — paired together, they create a grounded recollection of love and loss that makes a seemingly intangible sadness feel painfully real. Stream it below ahead of her February 10th performance at Mercury Lounge alongside Razor Braids and Dolphin Pal. Connor Beckett McInerney, Photo by Julie Orlick