What the world needs now is not love sweet love, what it needs is bands that can make dynamic music! It is not often I come across a band or album which I find myself, well, impressed with… The Sindicate impressed me. The band released their new album Sleepwalker Friday at the Star Theatre.

After having lived in California for a number of years and consequently having my ears flooded with every Sublime acolyte who could form a band I am always a bit leery of reggae bands. The first track on Sleepwalker dispelled any fears I may have had. I could immediately tell that this group of guys not only had a diverse range of influences but that they  were proficient at channeling them into their own music. The cherry on top was that they did it well. Each track has a really balanced blend on genres ranging from fairly straight forward reggae sounds to what I would say sounded like early Stones/ early punk stuff. As each track played I was quite pleased to hear very dynamic and diverse sounds in each individual song. Songs like Zombie evoke a sense of mystery and suspense almost like you’re tip toeing through some foggy graveyard at night while the very next song RB-HB feels more like a small Californian beach town on a sunny afternoon. Each song has its own vibe to the point it doesn’t feel like they took the same music and simply repackaged it with different lyrics. The work put into these songs shows. The band describes themselves as “reggae rock” and I would say that’s quite accurate. 

The overall dynamics of the album are similarly silky smooth. The placement of each track is very well done so that listening straight through the album feels like a musical journey. I was very impressed with how the album achieves a sort of roller coaster effect and does what a good album should do. It take you on a journey down through valleys and up through mountains.

The Sindicate and their team did a great job on this album on both a micro and macro level. The band shows excellent musicianship in a genre which is too often scabbed over with repetitive sounds. The band just embarked on a tour, but catch them when they return to Portland. In the meantime, listen to their new album here.

-Cory Huennekens

NXNE: Deli List, Here are our favorites!!

WED JUNE 17@The Painted Lady

Big Lonely

Teen Violence

WED JUNE 17@Coalition T.O.

Bike Thiefs

Catholic Girls

WED JUNE 17@Danforth Music Hall

Etiquette

WED JUNE 17@The Opera House

Anamai

WED JUNE 17@The Horseshoe

Blonde Elvis

For Esmé

WED JUNE 17@Lee's Palace

Doomsquad

Programm

ROLEMODEL

WED JUNE 17@The Drake

Prince Innocence

Bernice

WED JUNE 17@Bovine Sex Club

Mad Ones

WED JUNE 17@Handlebar

Murder Murder

WED JUNE 17@The Garrison

TWIST

WED JUNE 17@The Silver Dollar

The Corsets

Thursday June 18@The Horseshoe

Fake Palms

Bad Channels

Whimm

Thursday June 18@Handlebar

Walrus

Thursday June 18@The Opera House

Odonis Odonis

Thursday June 18@Smiling Buddha

Zones

Thursday June 18@The Cavern

Seraphic Lights

Thursday June 18@Silver Dollar

Comet Control

Elsa

Thursday June 18@The Garrison

Wrong Hole

Soupcans

Crosss

Friday June 19@The Garrison

Votiiv

Friday June 19@Lee's Palace

Fresh Snow

Friday June 19@Adelaide Hall

Zoo Owl

Friday June 19@Smiling Buddha

Foam

Friday June 19@The Silver Dollar

Dilly Dally

Pet Sun

Saturday June 20@The Bovine Sex Club

Terrorista

Saturday June 20@The Handlebar

Jaunt

Saturday June 20@Rivoli 

Sun K

Saturday June 20@The Silver Dollar

Mexican Slang

Beliefs

Dirty Frigs

Saturday June 20@Adelaide Hall

Greys

Das Rad

Saturday June 20@The Garrison

Darlene Shrugg

Michael Rault

Bile Sister

When asked what venue best represents the Portland punk music scene your first thought probably isn’t Black Water bar, but if you want to find the heart of punk music, Black Water is the place to be. That was especially true on May 23rd with Vexx, Chemos and The Cigarette Burns.

The Cigarette Burns started the show in a frenzy, each of their songs louder than the last, proof of entropy in action. That being said their set wasn’t gimmicky, which is a true display of how much they’ve grown in the year they’ve been together. Their sound has become more refined, growing more authentic, powerful, and driven with each show. Erik’s stage performance is feral and absolutely hypnotizing, drawing the crowd in, reminding everyone what it’s like to be young, and since The Cigarette Burns inception each member has only gotten better, growing steadily more technical and confident.

Building on the same chaotic energy of The Cigarette Burns, Chemos took the stage, showing off an array of simple and fast-paced songs that the crowded audience at Black Water seemed into. Chemos is fresh to the Portland music scene and despite being able to get the crowd moving, hopefully they can further define their sound as they continue playing together. Punk music isn’t known for its carefulness of craft, for refinement, but that doesn’t mean it can’t have a uniqueness or clarity of voice.

That being said, Chemos ended their set by trashing their drum kit, turning the stage to rubble, so maybe that kind of don’t-care attitude is all they need to keep pulling in crowds.

Vexx however, is completely set apart from their peers because their music stands alone without any showmanship added to it. Their intentionality in songwriting permeates every part of their music. This is especially true in songs like “Stress” or “Clairvoyant” where rhythms build out of chaos and melodic guitar hooks snake themselves out of the tumult. Singer Maryjane Duphne, who is nothing if not unpredictable, personifies all of this. Sure, a singer can pitch themselves into the crowd, drop to their knees or writhe right off the stage, and everyone in the audience will be totally into it, but when Maryjane sings she wanders into an otherworld and she invites you to follow her, trance-like into the hysteria.

You can check out Vexx’s new release, “Give and Take” here:

-Sarah Eaton

Muy Bueno. If you like your rock n roll mean, sleazy, noisy and edgy, you’ve found home. Mexican Slang pounds out cavernous, beautiful tunes driven by reckless sludgy guitar and garage-rock drums, with sickly sweet Annabelle's vocals front and centre for the whole ride. The energy and the grime of their A-side “Fever” paired with the erie pulse of “Goatlord” makes for a quick and dirty tumble through 5 minutes of adrenaline and attitude. There doesn’t seem to be any one defining influence over these three, other than a strong love for fuzztones and brevity, getting the point across loud, proud, and in a hurry. You can catch them in their all their distorted glory at The Garrison, Saturday June 6th. -Cody Wright

Stop goofing around. You may know BRNDA as that friendly post-punk quartet that likes blowing up balloons, singing to apple queens and carefree manatees, and parrot fronted metal, but they can totally beat you up (ok, or give you a stern talking to). These self-proclaimed snack core rockers are “a serious band from Washington DC”. If you don’t believe me, listen to their latest single “Serious Band”, in which they make this themesong-like claim maybe 20 times. If you’re wondering, why so serious? Well they also claim to be quite angry! Why so angry? They yell out “Alex Kozen!” (the group’s vocalist/guitarist) a few times. We’re not exactly sure what that guy did, but theoretically there are plenty of reasons to be angry at any given moment in the life of an ethically aware human being. Ease up, these buds have been on a super tour with Teen Mom but they’ll be back to play a home show at Above The Bayou on 6/15 with Pupppy, O-Face, and Swings.

-Leora Mandel