best-emerging-bands-artists

Liz Bills pays tribute to mothers in new single "Mama's Song"

Nothing stirs emotion quite like a serene country twang paired with honeyed vocals, both telling a story of gratitude and love, that is exactly what Liz Bills’ “Mama’s Song” does, and it does it so well. In the new music video for the song, photographs of families, and of course of mothers flash across as Liz contemplates through music and lyric the importance of being grateful for the sacrifices mothers make; those very sacrifices make tributes all the more necessary. Released yesterday to commemorate Mother’s Day, the brand new song is a message that hits home. Haverhill’s Liz Bills keeps things simple with delicate guitar string plucks and a vocal melody that is quite smile-inducing, quite fitting for a story to relate to. Stream “Mama’s Song below for a good start to the week. - Rene Cobar, photo by Carissa Johnson

   

Streetlight Shakers offer a better view in "The Story"

Streetlight Shakers are back! Well, they have not really been gone at all, but their new single “The Story” is just as triumphant, just as worthy of a hero’s welcome. The uplifting track serves as the hymn the three men from Connecticut share with the masses: a single jam-packed with the symbiotic rhythm that Nick Powell (drums, vocals) and Silvain Castellano (bass, vocals) produce + Jeff Boratko’s piano leads and vocal scales is all that is needed to celebrate a better tomorrow ahead. For the past few somber months, the group has managed to entertain its fans with creative recordings from home, showing them a glimmer of light among the shadows, something worth producing a smile for indeed. “The Story” feels like the end of the tunnel, or damn near close to it, it is a song meant to take you on the journey you have been longing for, somewhere away from troubles and closer to a better view. Stream “The Story” below for the midweek break you deserve. - Rene Cobar

   

Gillian elevates above the norm in new single "High"

Regarding the modern indie-pop aesthetic, Boston’s Gillian perfects it: classy-creeping piano leads, pumping beats, and the singer-songwriter’s honeyed melodies slowly cascading over them. However, the theme of her latest single “High” goes beyond the standard, it digs a bit deeper, tackling a subject that is scarcely discussed in the youth’s pro-recreational mildew: sobriety. Gillian vents, via infectious hooks and exquisite harmonies, frustrations about a partner struggling to remain sober and how that struggle becomes an illness turning love languid, disappointment vivid. The music video for the track, directed by Nolan Knight, captures the exact atmosphere and heartbreak the song so radiates. Gillian is not only a bright beacon of indie-pop and its current influence on the mainstream but also an artist digging deeper, as artists do. Stream the music video for “High” below. - Rene Cobar

   

A Deli Premiere: "Backbone Elegy" by Vaughan Supple

Igniting our month and weekend simultaneously, furiously shredding and adorably bopping, all the same, is Vaughan Supple’s brand new EP Backbone Elegy. The new record is more of Vaughan’s grungy brand of music, except this time the Boston artist varnishes his sound in a sweet mixture of gooey doo-wop that creates a product irresistible and all his own. Right out of the gate, the furious punk rhythm and sugary harmonizing of “For Old Time's Sake” gets a hold of you, ripping distorted guitars and floating Vaughan’s infectious melody in its raunchy medley of fun. Where “Perfume and Mirrors” is a gorgeous piano-led ballad, drowsy and passionate, “Bubblegum” is true to its namesake: short and sweetly-flavored pop-jazz. The title track of the new EP, is where Vaughan Supple’s theme is revealed, why with its thick ambiance of velvety harmonies and distinct acoustic guitar flourishes the artist takes vocal flight towards the past, reflecting as he longs for a simpler time in music and all elsewhere. One could say the final song in the album, a reprise of the first, is a moody send-off, but we argue it could just as well be the beginning as time is not always a river flowing in one direction, sometimes it is a beautiful storm to behold. Stream Backbone Elegy premiering exclusively below and here is to a great month. - Rene Cobar  

   

A Deli Premiere: "Last Goodbye" by Andrea Capozzoli

Hard to imagine a smoother, groovier, and more exquisite start to the week than the one Andrea Capozzoli serves up in her latest single “Last Goodbye.” Oh yes, the song is all the neo-soul goodness that has characterized Capozzoli’s trajectory, but there is added emotion and undertones of liberation in Capozzoli’s velvety, assertive vocals. Accurately, and oh so delicately landing on each note change, the artist dances past the sweet guitar riffs and the accompanying swing to bask in the growing excitement of the song’s soulful choruses. “Last Goodbye” is an ode to a friend’s triumphant escape from a toxic relationship, and yet, it is for all lovers who have done just that, and for those brewing the courage to join them in freedom, in strength. Andrea Capozzoli’s method is a prime example of the ever-lasting power of R&B/soul in the age of computer-generated hits: nothing beats watching musicians shaping the molten goodness of their skill into precious pieces for all to enjoy. Dmitry Ishenko (bass),  Dave Ross (guitar,) and Rob Mitzner (drums) accompany Capozzoli in “Last Goodbye” premiering below. - Rene Cobar