sf

SATURDAY: Epic Sauce and Kata Rokkar Present - Phantom Kick, Skeletal System, Reporter, Sepsus Christ, Boyz IV Men and Soft Metals @ El Rio

If you have yet to make plans for this weekend, or more specifically this Saturday, then surely here is something that should be given a lot of consideration. Local blogs Kata Rokkar and Epic Sauce will be putting on an early show show, Saturday afternoon, featuring a collection of San Francisco and Portland Acts. Starting around 4 on the back patio at El Rio, and featuring free food and drinks specials, San Francisco's Phantom Kick and Skeletal System will pair up with Portland's Reporter and Spesus Christ to bring the afternoon noise. With what are promised to be ass-shaking DJ sets by Boyz IV Men and Soft Metals (as icing on this cake), perhaps this little event should be placed high on your weekend priorities.

 

-Ada Lann

   

.

 
July 2010 - 1st half

 
June 2010 - 2nd half

 
June 2010 - 1st half

 
May 2010 - 2nd half

 
May 2010 - 1st half

 
April 2010 - 2nd half

 
April 2010 - 1st half

 
March 2010 - 2nd half

 
March 2010 - 1st half
 
February 2010
 
 
Deli's Best SF Emerging Band of 2009
 
 
For the Artists of the Month
of 2009 see here
   

The Deli SF's Weekend Highlights For 7/9-7/11

On Friday, put your gloves on and head down to the Knockout where The Magic Bullets will be celebrating the release of their LP with Dreamdate, Wax Idols, and The Lambs, 9pm.

Alternatively, out at the Bottom of the Hill on Friday, SFIndie.com's Summer Fest will be hosting Music for Animals, The Hundred Days, and the Foreign Report, 9:30pm.

This Saturday Social Studies, who will be celebrating their CD release early next month, will be playing at the Great American Music Hall with Au Revoir Simone and Alexa Wilding, 8pm.

Lastly, on Sunday Head up to Cafe Du Nord where Birds and Batteries, whose latest album is currently the Deli's album of the month, will be sharing the stage with Grand Hallway and The Moanin' Dove, 8pm.

 

-Ada Lann

   

Social Studies CD release show with Maus Haus, 60 Watt Kid and Montra

Mark your calenders in advance for an early August all-ages show with a killer lineup at the Rickshaw Stop. On August 7th, Maus Haus, 60 Watt Kid and Montra will all help San Francisco's Social Studies celebrate their second release Wind Up Wooden Heart.

The band has recently been riding on a wave of publicity from the first track released from the album "Time Bandit," a remix of which was posted as a free download on Filter Magazine last week.

Wind up wooden heart is officially available on July 27 from Antenna Farm Records. Preview the track "Holler Boys" below:

 

-Nicole Leigh

   

Album Review: Business 80 - Strangers With Me

From the outset Business 80's debut Strangers With Me quivers with a looming sensation of darkness. It oozes a sadness that lurks in the darkest corners of its sound. A collage of glitching synthesized sounds, live instruments, and ominously sung vocals, Business 80 is the latest project by local songwriter H.A. Eugene (whose previous creation, Burbank International's City of Burbank, put him squarely on the Bay Area's music scene map) and a dramatic turn from the tender folk sounds of his previous work.

A mostly electronic album, Strangers With Me is broken into three movements, each (for reasons not outwardly clear) named after Tenderloin bars (Koko, Hemlock, and Ha-Ra). With driving industrial rhythms and often piercing electronic squelches throughout Strangers With Me, apt comparisons to acts like Nine Inch Nails (or a much harder version of Depeche Mode) certainly jump to mind, peppered with a spirit of IDM from the likes of Plaid, Autechre, or even Squarepusher (maybe a stretch).

Opening amidst a wash of penetrating electronic sounds and almost choked vocal gurgles, the eerie and despondent "Koko" begins the section of the same name. As with most the songs on this album, an intricate depth characterizes the soundscape of this song, with multiple pieces waiting to be found amidst the layers. Trapped in a loop, the album title is repeated endlessly as the synth sounds punctuate the space of the song. The result of this, as the line "strangers with me" is muttered ad nauseum, is an unnerving level of violence to the loneliness evoked throughout "Koko."

"Who Died?" follows, and with it's crescendoing viola line it may well be my favorite track on this album (the track that follows being a close second). Coupled with an ethereal-sounding arppegiated synth-line, and one of the more forceful and driving bass outros I've had the pleasure of hearing, this song really sends chills down the spine.

If "Who Died?'s" outro is an emotional ascension, "Mad at Nothing" is its zenith. Certainly the funkiest track on the album, "Mad at Nothing," if for its title only, really captures the spirit of Strangers With Me. There is a feeling of impudent rage that permeates throughout the narrative of these songs. From the anger and the drive that pushes the vamping repetition of the line "never learned shit, got stupider stupider," to the flailing rage that percolates from Mad at nothing, to the suffocating impotence of "Getting Sick for Real" and "This Place Where We Used to Play," there is an invisible force that torments the character of Strangers With Me.

All things considered, with its tumultuous layers of electronic sounds, Strangers With Me is an alluring and schizophrenic emotional ride. Peppered with rage, terror, loneliness and pure driven anguish Strangers With Me is a fascinatingly complicated album.

 

-Ada Lann

Note: Copies of Strangers With Me can be aquired at Business 80's CD release show, at El Rio on July 1st, or for free by contacting H.A. Eugene here.