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SXSW day 3: a ton of bands from Deli-cities + some big cats!

Day three of SXSW left me speechless. A mid-day slot at Rusty Spurs with Deadbeat Darling lifted my spirits before a two hour wait for LA’s leather-and-sunglasses-clad Black Rebel Motor Cylce Club the Filter Magazine Party. I stepped foot in Hyde Park Bar and Grill ONE more time for the “NYC Mixer,” another show I had co-arranged. The gig united bands from across the country, serving Texas a sample of Miss Derringer (LA, top picture), Pearl and the Beard (Brooklyn), Middle Distance Runner (DC), Outernational (NYC, bottom picture), Milo and the Fuzz (NYC), and The Frontier Brothers (Austin). Jetting back downtown to an over-packed Ghost Room, an all-star line-up, including Middle Class Rut, Jason Heath and the Greedy Souls, Michael Stipe (REM), Chris Shifflet (The Foo Fighters), Billy Bragg, Tom Morello and Boots Riley’s project, Street Sweeper Social Club, and more played mini-sets and jammed for Jail Guitar Doors, a program that rehabilitates inmates with music. To top off the night, a photo-op with Tom Morello preceded an after party at The Belmont. – Meijin Bruttomesso


   

SXSW Day 2: NYC to ATX party + MoTel Aviv, BlackBells, Deadbeat Darling

Day 2 was the day of honing navigation skills. The Baeblemusic.com Party at the Scoot Inn lined up promising acts that alternated between indoor and outdoor stages. A park-style area was decorated with paper lanterns and framed by two bars and a food cart, and listeners relaxed on tree stumps and patches of grass. Seabear, a sextet from Iceland, melded strings and acoustic guitars into a pleasant and exotic folk rock. Inside, Washington DC’s These United States upped the energy with a Southern rock lilt and grimy Gospel flavor, and back in the sunshine, Australia’s Dappled Cities played avant guarde electro-pop. Off the main drag at the 21st Street Co-Op, a “clothing optional” shindig hosted Austin natives, MoTeL Aviv (pic below), in an abstractly painted dorm common room. I found the city’s friendliest taxi-driver en route to Hyde Park Bar and Grill (South) for The Deli’s second sponsored show, and completed my night with some 6th Street sight-seeing.

The Deli Magazine and CitizenMusic joined forces to educate Austin on some of the best artists from New York at Hyde Park Bar and Grill (South). A spacious restaurant and bar, home to the best French fries around, opened into a patio where a tent housed the live music for the evening. A SXSW suppertime party, the “NYC in ATX Showcase” entertained a group of all-aged diners, families, and rock ‘n rollers with five Big Apple acts, including Blackbells (picture below), New Madrid, The Shake, Deadbeat Darling, and Black Taxi. Blackbells offered guests free EP’s and a superb set after traveling thirty hours straight to Texas. The fiery New Madrid pushed forward with outstanding vivacity, and The Shake’s second evening at Hyde Park resulted in enthusiastic feedback and a new population of fans. The wind picked up and carried Deadbeat Darling’s blissful and stirring reggae-rock throughout venue, and Black Taxi almost blew a fuse with their high-powered instrumentation and charisma. Mission “Rock Austin” accomplished. - Meijin Bruttomesso

   

Le VICE at El Rio

Backed by the funk infused bass of Sean Stillinger and the hip hop influenced drum beats of Darrin Thomas, virtuoso guitarist Renzo Staiano and front woman Alex Lee of Le VICE kept bodies moving last Thursday at El Rio. With a little help from some friends singing back up and playing keyboards, the band celebrated the release of their self titled debut by playing several tracks from the album including the catchy come on Uh Huh and introspective Why Fight.

Studio SQ also set up shop recording the whole thing on some technological device that baffles the technologically inept [like myself]. Renzo and Alex really know how to work a crowd and the photo above shows a rare moment when the two were not in continuous motion. There was a lot of love exchanged between the stage and the crowd and the band played until well past midnight when the audience continued to press for more.

If you missed the party, fear not, you can catch Le VICE in two weeks at The Rickshaw on April 2nd.

- Nicole Leigh, words and photo

   

SXSW 1st day: Suckers, Black Taxi, Roky Erickson, Okkefville River

The first day of SXSW is like the first day of school; you’re excited, nervous, and seemingly prepared. Unlike school, however, SXSW is never boring. After my first ever flight through Detroit and an early morning dash to registration at the Austin Convention Center, I scampered off to Rusty Spurs for Deli sponsored Music Tech Mash Up party, where line-up improvements kept me corralled. The event spanned two days and squeezed in fifty bands at Rusty Spurs, a tri-room gay saloon (how cool is that?) decorated with cowboy boots and Texas trinkets. The Mash Up party celebrated the collaboration of various industries, music, merchandise, and new media technology. Upon arrival, sound spewed from every corner of the venue as bands performed on the main indoor stage, in the lounge, and on the outdoor patio. Mid-day, the barbeque was fired up to feed South by South West goers with free burgers and chicken while they enjoyed the second day of the extravaganza’s hefty line-up. Some of the early-morning performers included LA-based, disco-influenced pop-rockers, Foster the People, dancey R'n'B from Toronto, Curtis Santiago, and Las Vegas’s new-wave, electro-pop, Imagine Dragons. Pleasant surprises added at the last minute, such as Brooklyn’s Black Taxi, and Washington D.C.’s alternarockers, Hotspur, caught the ears of those passing by and reaffirmed excitement for SXSW.

Following a quick Tex-Mex bite and nearly sun-burning in a line for the Paste Magazine Party at The Galaxy Room, I witnessed the last of the Suckers’ (top pic) set and the first part of rock-meets-singer/songwriter Austinites, Roky Erickson with Okkervil river (bottom pic). The day pushed on as I went off the beaten path to Hyde Park Bar and Grill(South) where The Whiskey Rebellion’s evening of music and literature featured NYC’s The Shake who enlivened the venue’s calm St. Patrick’s Day. Due to overcapacity venues back on 6th Street, my night was curtailed. Tomorrow would be a new day with much music to hear. - Meijin Bruttomesso

   

SanFolk Disco with Bart Davenport, JL Stiles

This entry is from our Open Blog. You too can post about your band by clicking here.


"SanFolk Disco is the brainchild of JL Stiles and he is the glue that will hold each of these bills together like a secretly broken vase by opening and hosting each show. If you do not know of his incredible talents already, here are three facts you need to know immediately: Fact #1: JL Stiles is the freakiest white fingerpicking guitarist in this great country right now. Fact #2: JL Stiles believes he has come up with the algorithm for the pure soul of music. Fact #3: JL Stiles has a mind that sees music in a similar way to how J.S. Bach saw music, however Bach never played the blues. "Simultaneously classic and original, Stiles lays into his 12-string guitar with the vigor and ambition of a streetwise punk who just discovered Leo Kottke" (Blues Revue)

SanFolk Disco is a new monthly series of shows that aim to hover over the bountiful but disparate music scene of the great, legendary city of San Francisco, Ca, and, just as in bygone eras of pre-history, reach a bony hand from above to three blazing comets of musical ice and fire, and collide them monthly at a specified place and time in The Universe. The next show is on April 15th at Cafe Du Nord, SF, 8pm, featuring Bart Davenport, J.L. Stiles & Kacey Johansing, the following show will be May 13th, also at Cafe Du Nord, SF, featuring Eric Mcfadden, JL Stiles & Jenny Kerr. SanFolk Disco demands that you become a good citizen and have a damn good time while doing it.