Dispatches from Noise Pop: Wednesday 2/24

As I've stated already, the free happy hour shows at Benders this week are nothing to shake a stick at. Looking at the line ups, there are several great bands playing, though sadly with such little time to actually see them. In the hopes of capturing some of the music, it was with that rest-be-damned ethos that I set out after an 8 hour work day to catch the early Happy Hour show, with the promise of some quality punk rock later in my evening.

Mist and Mast were the first band at the happy hour show I found myself at when the clock hit five. I have gone, and will likely still go, back and forth on Mist and Mast's sound. Having heard their recordings, there is very little space in my life for the conventional, tired indie rock style that doesn't grasp at even a few straws outside the middle of the road. That may be my selfish desire to be assaulted by sound, but for indie rock perhaps  I can be overly critical. Regardless I was impressed with Mist and Mast's performance. They are accomplished musicians and with their performance they pushed at some barriers of dissonance that I would have loved to see them break further, so for that they garner some credential. If nothing else, they were a perfect band to prep the pallet for what was to come.

Taking the tone in a radically different direction (a theme for these noise pop shows) The Ian Fayes followed, performing a sincerely sweet pop set. With Coco Rosie backed by a drum machine as likely the easiest comparison, and infused with some form of tender sadness, their saccharine and delicate pop sounds were certainly something to call home about. Of course with my preference towards dissonance, I would like to say their sound is the exception to the rule, though such as that is irrelevant; their sweetness impressed.

Sadly I missed Love is Chemicals, but I had a grittier calling awaiting me.

Moving on to the Cafe du Nord with great anticipation for Harlem, I arrived early enough to be rewarded with a wonderful surprise - The Young Prisms. As best as I can describe it they inhabit some space between Asobi Seksu (especially with the female vocals) and My Bloody Valentine. Their swirling and cavernous soundscape, though at times slightly unsteady, was a pleasure to be smothered with.

Slowing the evening down momentarily were crowd favorites The Sandwitches. Inhabiting a similar space as the Ian Fayes, I was for the most part underwhelmed by their set. The sound was precise and their tone certainly much more dower than The Ian Fayes, generally a strong selling point, but by the end I was left with something to be desired. Maybe I was just antsy to get on to Harlem.

Best Coast followed, reeving the crowd back up with their harder indie rock. Again, certainly not an unaccomplished band but as with Mist and Mast earlier, the generic indie rock style is not a very strong selling point. They were enjoyable, and they certainly brought the energy back up, but as far as breaking any interesting new ground, they did not. Again, perhaps I'm a bit too picky but what can I say, I look for a challenge.

Something of a fury hit the stage as Harlem rounded out the evening with a performance that was everything it promised to be. They were loud, obnoxious, and confrontational in all the right ways. There is certainly nothing down low about their sound. Seeing their wild antics and hearing their slamming punk songs can't help but conjure up the spirit of The Replacements. Bopping around on stage screaming at the microphone, each other, the audience, their empty beers, and whatever else the room had available, they unleashed their set with all the insanity you could ask for.

All in all, a good night in music. Tonight, another Benders happy hour and Stomacher playing at Bottom of the Hill.  For now enjoy this ridiculous robot.

-Words and Photos Ada Lann


Show Review: Magic Bullets at The Independent 2/11

A magic bullet is often described as an instant solution or cure for what ails you. As I found out last week, San Francisco’s Magic Bullets are just that.

Thursday, for even the most optimistic person, was a bad day. I woke up late for work, literally on the wrong side of the bed (I have the bump on my head to prove it), and tried to quickly make myself look human before I ran out the door. As I got ready to mount my bike and get on my way, I looked down and realized I had stepped in a fresh doggie present. Work presented me with an alarmingly full inbox, a coffee stain on a white blouse, bad news from a friend and another alarmingly full inbox upon leaving. Needless to say, as I pushed myself up Divisadero towards the Independent, I felt defeated. I walked in, ordered a shot of whiskey turned towards the stage and all of a sudden couldn’t help smiling.

The Magic Bullets look so painlessly cool you immediately want to be them, or at the very least around them in hopes some will rub off. Most importantly they all seem to be extremely content on stage. In 2009’s Holiday Issue of SOMA, guitarist Corey Cunningham says, “We have such a good time together that the music almost seems secondary.” And you can tell. Their enthusiasm radiates through their performance and it’s hard not to catch some.

Don’t get me wrong, there’s isn’t pop music so sugary it makes your teeth hurt. There is substance to their whimsical tunes laced with an underlying darkness. One would be hard pressed not to make a Smith’s reference here, however they have taken Moz’s signature angst and replaced it with something much more hopeful. feels much like finally seeing the light after being stuck in dark times. “You'll make fine mistakes, you'll make mistakes fine,” singer Phillip Benson declares. Lives For Romance The Magic Bullets have seemingly discovered a way to let us know everything will turn out ok. Some people say there is no such thing as a quick fix, however now I beg to differ.

-Alexandra Scioli


The Deli SF's Weekend Highlights For 2/25-2/28

While of course the main event this weekend will be the numerous Noise Pop programs around the city, for those not excited about the expense or large crowds (and for our part to lend voice to some likely overshadowed gigs) here are the Deli SF's picks for some under-reported shows this coming weekend.

Out in the back corner of the Mission, far from all things Noise Pop, at the El Rio you'll find The Dashing Suns playing a grittier Kinks-style 60s pop sound with out of staters Yellow Suns.

If you've got nothing to do this Friday then you have no excuse for missing one of the Bay Area's finest bands, the Wooden Shjips playing with Sleepy Sun at The New Parish in Oakland, 8pm.

Continuing the theme of punked out 60s pop, on Saturday should you find yourself wandering around the Tender-Nob area, pop in to Hemlock to catch the garage/surf/punk sounds of Shannon and the Clams with The Pharmacy and The Rantouls somewhere around 9:30.

Of course while trying to highlight mostly non-Noise Pop Shows here, we'd be remiss not to also mention the great consecutive days of FREE happy hour shows at Benders. Featuring a some great local talent including Love is Chemicals, Social Studies, Weekend, and That Ghost these shows, while likely packed to the rafters, should be your first stop after work this week. You can find more info about these shows here.

That's all for this week. Check back next week for our suggestions and, if your in a band keep us updated on your schedule and you may be featured here.


-Ada Lann


In the studio with Chloe Makes Music

For some artists, their time in the studio can be a working environment that is rather personal and closed off, not for the public. For those of us on the outside of the event, it can seem like a mysterious and secret process that piques the curiosity of those that appreciate a persons ability to communicate through song.  That's why when Chloe Roth of Chloe Makes Music contacted The Deli to see if we'd like to sit in on a recording session at Studio SQ we jumped at the chance. Who wouldn't want to observe and listen like a fly on the wall in the moment that an artist puts their creative expressions into a fixed medium?

Twice a month, the readers of The Deli SF vote for their favorite nominated artist of the month. These artists not only rewarded with a banner on the site but also with free studio time from the poll's sponsor Studio SQ. As a musician trying to make it in the second most expensive city in the US, free studio time is a very good thing. Back in the second half of October 2009, Chloe Makes Music was chosen by the Deli readers as the Artist of The Month and this was the first time that anyone at the Deli was able to see the poll process come full circle.

We visited Chloe in the studio on day 5 of a 6 day recording marathon as she laid tracks with producer Chris Chu [vocalist for The Morning Benders] for her upcoming debut LP. Studio SQ has a nice warm welcoming feel. You're greeted by a friendly brindle boxer the door who naps on the couch when shes not monitoring the activity around and the studio itself is large and open and filled with a lot of wood which gives it that comfortable, home-y feel. It's almost hard to believe that such an intimate place can exist in what is a primarily industrial part of the city.

Chloe is recording backing vocals for the current track that they're working on, "The Puppeteer," and Chris is preparing to sit at the piano for the next segment of the recording. Chloe explains, "I want it to sound like there are puppets singing" - an appropriate request for a song about a person that manipulates marionettes. Chloe was concerned that I might be bored but I wasn't, not even the slightest bit. Boring is watching me sit in my small studio apartment trying to create sentences to describe what had taken place. Mostly, I was intrigued by what sounded to be an almost complete track with some lovely haunting harmonies.

As the afternoon begins to wind down, Chloe and Chris discuss which elements are left to record and begin to coordinate their final day in the studio. I decide to take this as my cue to slip out and allow the creative flow to be uninterrupted. I say a quick goodbye and quietly leave. Outside, the sun is almost gone and I realize that there is a catchy melody of puppets still singing in my head.

The Deli SF would like to thank both Chloe Makes Music and Studio SQ for allowing this unique opportunity and we look forward to hearing the finished product!

-Nicole Leigh


Submit to play during SXSW! - Music Tech Mashup Party!

Deli readers who play in bands,

The Deli has reserved 3 showcase slots at Music Tech Mashup during SXSW, which will take place at Rusty Spurs in Austin, TX on 7th St. on March 17. Rusty Spurs features 3 stages with an 800 person capacity in the middle of it all and is an official SXSW venue. During SXSW it will host shows by heavy hitters like Echo and the Bunnymen, Vega (Neon Light side project) and Semi Precious Weapons (recently on tour with Lady Gaga) amongst others.

To apply to play this SXSW show all you need to do is fill in this form HERE and click on the confirmation email you'll receive (this will simply add you to our mailing list and enter your band in our fabulous charts organized by genre and region - one day we'll also create band profiles!). 3 artists will be selected by the organizers (one of them will be a local Austin, TX artist). Any band that is available to travel to Austin is eligible. Submission deadeline is Monday 02.22 at 11.59 pm.

Music Tech Mashup Showcase (hosted by Coast to Coast Models & Events and presented by The Deli, Hunnypot, GreenShoeLace) will celebrate the convergence of music and technology and the opportunities it presents for everyone involved just as SXSW itself switches gears from Interactive Week to Music Week.This is a list of some of the artists already booked: Jada - Universal Motown Records (Boston, MA) - Bamboo Shoots - Epic Records (New York) - Shinobi Ninja - (Brooklyn, NY) - McAlister Drive - (Boston, MA) - Odd Modern - (Los Angeles, CA) - Keys and Crates (Toronto, Canada) - Curtis Santiago (Toronto, Canada) - Keith Masters (Chicago, IL) - FutureCop! (UK) - Mark Foster (Los Angles, CA).

The Deli's Staff